Rajavukku Check Movie Synopsis: Four crooks utilize the teenaged girl of a cop to give just desserts to him for having placed them in jail. With all his activities being viewed, would he be able to safeguard her while being bound in his home?
Rajavukku Check Movie Review: The first occasion when we see Raja Senthoor Pandian, he is lying spread in his bed. His telephone rings, yet rather than get it, he gets an alcohol bottle. We have had cops who down idlis with brew in Tamil film, however what despite everything makes this scene an amazement is that Raja is played by Cheran, who is the last on-screen character you expect in the job of a heavy drinker cop. This throwing is both an or more and a short.
While Cheran causes us to relate to his character’s incident as a dad, it is hard to accept him as a cop. What’s more, to top up this liquor abuse, Raja likewise experiences Kleine–Levin disorder or Sleeping Beauty Syndrome, which makes him rest for significant stretches — even weeks!
About Rajavukku Check:
This shaky state of his is the thing that has prompted his better half looking for separate from him, and living independently with their teenaged little girl Krithika (Nandana Verma). In any case, when Krithika, who is going to travel to another country to seek after her higher investigations, comes to live with him for 10 days, Raja attempts to make them vital, yet four lawbreakers (a tolerable Irfan plays the pioneer of this pack) who he had put in jail a few years prior are out to get vengeance by utilizing his little girl as a pawn, and transforming his fantasy into a bad dream.
As far as plot, Rajavukku Check helps you to remember Lens, another genuinely later new-age spine chiller that additionally had a hero who needed to do the opponent’s offering while at the same time being observed and limited in his own home. Yet, this new-age idea is let somewhere around the cliché treatment. Sai Rajkumar’s composing is awkward, transforming the story into a super exaggerated one loaded up with exchanges that are pointless excess, while his filmmaking is neither lumpy nor smooth.
The rushes that we feel originate from the awful circumstance in the story — a hapless dad confronting the possibility of watching his little girl being assaulted with no alternative to support her or even turn away — and not from the filmmaking. It additionally helps that this storyline is a reverberation of the Pollachi sexual maltreatment outrage, where rich youngsters went after vulnerable young ladies.
Indeed, there are sharp thoughts (like the utilization of the Sleeping Beauty Syndrome in the last half), however they stay only that and never meet up satisfyingly as a genuinely affecting story. Indeed, even the endeavors at indicating us the bond between the dad and little girl feels adolescent. Concerning the contention among Raja and his better half (Sarayu Mohan), it stays immature, and doesn’t treat the last with pride.
However, regardless of whether we look past these issues, the empty good center of the film is upsetting. On one hand, it needs us to feel grievous for the little youngster who is going to be assaulted, yet on the other, it uses to feel alleviated when another female character (played by Srushti Dange) is assaulted! For the present, the film stays a half-conventional one that neglects to satisfy the capability of its plot.